Read a back issue

photo of cherry trees by Meriç Dağli

Submissions Open for Chad Walsh Chapbook Series

The editors of the Beloit Poetry Journal are pleased to accept entries for 2022 Chad Walsh Chapbook Series. The series was established in 2017, with the support of the Alison W. Sackett Trust, in honor of former editor Chad Walsh. 

The poet whose manuscript is selected for the series will receive $2,500 and 50 copies of the chapbook and in-depth editorial consultation. The winning chapbook will be distributed to every BPJ subscriber and sold separately, in a print run of approximately 1,500. Previous titles in the series include Jacques J. Rancourt's In the Time of PrEP, Christine Gosnay's The Wanderer and Victoria C. Flanagan's Glossary of Unsaid Terms.

We will remain open for submissions through November 30. For more details, see our guidelines.

Stop by our new online shop to subscribe, buy a chapbook, or pick up an issue.

Submissions Open for Chad Walsh Chapbook Series

The editors of the Beloit Poetry Journal are pleased to accept entries for 2022 Chad Walsh Chapbook Series. The series was established in 2017, with the support of the Alison W. Sackett Trust, in honor of former editor Chad Walsh. 

The poet whose manuscript is selected for the series will receive $2,500 and 50 copies of the chapbook and in-depth editorial consultation. The winning chapbook will be distributed to every BPJ subscriber and sold separately, in a print run of approximately 1,500. Previous titles in the series include Jacques J. Rancourt's In the Time of PrEP, Christine Gosnay's The Wanderer and Victoria C. Flanagan's Glossary of Unsaid Terms.

We will remain open for submissions through November 30. For more details, see our guidelines.

Natasha Trethewey Selects Taylor Byas as Winner of 2021 Adrienne Rich Award

Of Taylor Byas’s poem, Natasha Trethewey writes, “'Tell It Like a Movie | Rewind' is a stunning poem that unfolds like a near palindrome, the repetition of images and phrases drawing the action into sharp focus. Through its cinematic lens—the camera’s eye moving in and out of tight angles—a traumatic scene is rendered in harrowing detail, the tension palpable, heightening, and powerfully felt."

We’re grateful to the Adrienne Rich Literary Trust and to all who submitted poems for this year’s contest.

VOLUME 71 NO. 1

Our new issue is a tribute to editor, poet, mentor and friend Lee Sharkey. It features work by O-Jeremiah Agbaakin, Deborah Allbritain, Amy Bagwell, Elena Karina Byrne, Kristen Case, William Fargason, Jen Stewart Fueston, Janice N. Harrington, Carolyn Hembree, K. Henderson, Carolina Hotchandani, Hope Jordan, Polchate (Jam) Kraprayoon, Cate Lycurgus, Caleb Nolen, Chisom Okafor, Derek Otsuji, Jacques J. Rancourt, Heidi Seaborn, Tim Seibles, Lee Sharkey, Bradley R. Strahan, Raisa Tolchinsky, Eric Tran and Jim Whiteside.

Cover image by Peter Ralston.

Katie Farris's A Net to Catch My Body in its Weaving Selected for the Chad Walsh Chapbook Series

The editors of the Beloit Poetry Journal are delighted to announce that they have selected Katie Farris's A Net to Catch My Body in its Weaving for this year's title in the Chad Walsh Chapbook Series. Katie Farris’s work has appeared in Poetry, The Nation, McSweeneys, Granta, and the Massachusetts Review, which awarded her the Anne Halley Poetry Prize. Farris is the author of the hybrid-form text boysgirls (Marick Press, 2011; Tupelo Press, 2019) and translator as well as co-editor of several books, including Gossip and Metaphysics: Russian Modernist Poems and Prose (Tupelo, 2014). She is currently Associate Professor of Creative Writing at Georgia Institute of Technology.

We Stand with the People

We stand with the people and with the many magazines and presses who have signed on to this statement written by the staff of The Offing, condemning anti-Blackness in publishing and the world, affirming the rights and righteousness of protestors, and calling on each of us to unlearn oppression.