| | | |
Sigalit Banai |
| "Woman from Israel" (front and back): composition |
Cover |
Mary Greene |
| design |
Cover |
William Wright |
| Peach Trees, Suffused with Pesticides |
5 |
Mia Nussbaum |
| [The Chapter of the Rending in Sunder] |
6 |
Keith Cartwright |
| Rumors of Discontent |
8 |
Mark W. Fry |
| Concatenation |
9 |
Steve Wilson |
| Extravagance |
10 |
Clare Rossini |
| Girl with Hair Tangled in Rose Bush |
11 |
| These Passing Venial Wonders |
13 |
Heather Maki |
| Scotch in a Bottle of Fruit Juice on a Plane |
14 |
| A Story About Things |
15 |
Brian Teare |
| As That Which Is Above Everything Else |
16 |
Martin Steingesser |
| 14 Florence Street |
23 |
L. K. Holt |
| Male-to-Female (1) |
24 |
| Male-to-Female (2) |
25 |
Gary Fincke |
| The Prophecies of Mathematics |
26 |
| Weighing the World |
28 |
Dannye Romine Powell |
| Loss Considers the Idea of Bliss |
30 |
| Loss Received a Letter Once |
31 |
Albert Goldbarth |
| The Craft Lecture to the Creative Writers of the Low-residency Program at Yadda Yadda University, with a Late Assist from Wallace Stevens, Robert Frost, Maxine Kumin, Sir Thomas Browne, and Allusion to the Title of an Early Book of Jorie Graham's |
32 |
Jeneva Stone |
| In the Sun-drenched Room |
38 |
| Red |
39 |
| Meditation on a Broken Child, var. 3 |
40 |
| |
| BOOKS IN BRIEF |
Marion K. Stocking, reviewer |
| Where Are We Now?(2) |
41 |
| Janice N. Harrington, Even the Hollow My Body Made Is Gone |
41 |
| Susan Tichy, Bone Pagoda |
43 |
| Jessica Goodfellow, A Pilgrim's Guide to Chaos in the Heartland |
45 |
