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| Fall 1998 Vol. 49 No. 1 |
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› Full text
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Wendy Kindred |
| detail of drawing, conté crayon and gesso, 42"x16", 1994, "What Is It Exactly That You Do For Him?" |
Cover |
Frederick Smock |
| Frontiers |
5 |
Tina Kelley |
| Hagop Sandaldjian's Microminiatures |
6 |
J. W. Marshall |
| Not Sleeping There |
7 |
| Sadness Therapy |
8-9 |
Candice Stover |
| Another True Story |
10-11 |
Bei Dao and Chen Yan Bing and Diana Jaio, translator |
| Untitled, by Bei Dao |
12-13 |
| Unlock, by Bei Dao |
14-15 |
| Transfiguration, by Bei Dao |
16-17 |
| Swivel Chair, by Bei Dao |
18-19 |
| Quiet and Tremble, by Bei Dao |
20-21 |
Jenny Desai |
| The Widow Bride |
22 |
| Like Coriander Seed, Like Honey |
23 |
Jim Quinn |
| Her Road Song |
24 |
Robert Joe Stout |
| From the Diary of Diana Abney, Welch Camp, Nevada, 1863 |
25 |
| Welch Camp, Nevada, 1864: Diana Abney Meets the Man She Eventually Will Marry |
26-27 |
| Diana Abney, Welch Camp, Nevada, 1864 the Morning After the Miners Tried to Burn the Jew |
28-29 |
Elizabeth Tibbetts |
| A Nurse Reads A Book of Luminous Things |
30-31 |
Philip Booth |
| Reach Road: In Medias Res |
32-41 |
James Bertolino |
| A Picnic Scene |
42 |
James Patrick McPherson |
| Body Bag |
43 |
Ray Clark Dickson |
| The Engagement |
44 |
| The Concert |
45 |
| | | BOOKS IN BRIEF |
Marion K. Stocking, reviewer |
| David Lehman and Harold Bloom, ed., The Best of the Best: 1988-1997 |
46-49 |
| David Lehman and John Hollander, ed., The Best American Poetry: 1998 |
49-51 |
| Jerome Rothenberg and Pierre Joris, ed., Poems for the Millennium: The University of California Book of Modern & Postmodern Poetry, Vol. II, From Postwar to Millenium |
52-53 |
| Katherine Washburn and John S. Major and Clifton Fadiman, ed., World Poetry: An Anthology of Verse from Antiquity to Our Time |
53 |
| Robert Hass, ed., Poet's Choice: Poems for Everyday Life |
54 |
| Robert Pack and Jay Parini, ed., Introspections: American Poets on One of Their Own Poems |
54-56 |
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